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The winter months in coastal northern California can be cold and wet with
snow levels dropping to 2000 feet on occasion, resulting in a nice dusting
of white on the tops of the surrounding mountains. Brightening the dreary
days is the lingering harvest of red berries of Hawthorne that prevail for
several months before their pink and white flowers appear in the spring.
An opportunity has presented itself that we can’t resist, and we are inviting you to join us
and a small group of other tile enthusiasts to visit The Netherlands in late May. The primary
purpose of the trip will be to attend the opening of “Industrial Tiles 1840 – 1940,” an
exhibition of decorative tiles from five European countries that is opening at the tile museum
in Otterlo on May 28, 2005. Over the following four days we will tour with tile historian
Hans van Lemmen and tilemaker/conservator Joop van der Werf looking at tiles in situ, visiting
private collections, tile factories and museums in Utrecht, Zaandam, Friesland, Leeuwarden,
Harlingen, Delft and Gouda. We will be staying in one hotel, the Golden Tulip in Zaandam, just
12 minutes by train to/from Amsterdam-centre and 16 minutes by train from Schiphol Airport.
Size of tour: minimum 15 (maximum 20). We will be taking reservations on a first-come-first-served
basis. We will have a short waiting list as necessary.
Fees: We’re working on it! You will be expected to pay for your own airfare to and from The Netherlands,
your hotel accommodation (we will make a reservation for you for 6 nights, inc. breakfast), train
transportation, dinners each evening, gratuities, etc. (The Golden Tulip is charging about $180 per night
for a “deluxe” room with twin beds, roughly $25 more for a King.)
Deadline: February 15th for getting your name on the list, the sooner the better. If you are
interested but need a defined cost for the tour, email us. We should have a definite figure as
well as a detailed itinerary by the end of January, but don’t wait until then to express your
interest, as the tour will be full!
Hope you can join us.
Alcatraz Island is known by most Americans today for its abandoned federal
penitentiary or for its handful of legendary prisoners. Strategically
located just inside the Golden Gate in the middle of San Francisco Bay, La
Isla de Las Alcatraces (Island of the Pelicans) was first named by Juan
Manuel de Ayala, who sailed into the bay aboard his Spanish warship in 1775.
California purchased the island from the Mexican government in 1847, and
within a few years the United States established a military fortification
there as well as a facility for holding war prisoners. Over the years from
the Civil War, through the various Indian wars, the Spanish American War and
later World War I, the facilities were gradually enlarged by the military to
house a wide assortment of war criminals. It wasn't until the mid-1930s that
the U.S. Justice Department took control and set up the maximum-security
prison.
In 1972, Alcatraz became part of the Golden Gate National Recreation Area and
is now managed by the National Park Service. The island is one of the most
popular tourist destinations in the Bay Area. The Park Service has been
supplied with information about Ernest Batchelder and a copy of a Batchelder
tile catalog.
As I reviewed this important new book on the conservation and restoration of
tiles, I was listening to Sir James Gallway, flutist extraordinaire, with
his appropriately fluid, melodious and embracing accompaniment. Lesley
Durbin's book is broad and far reaching, beyond what the title implies. She
is thorough in her approach beginning with the introduction that covers
tiles from medieval pavements to early 20th century interiors. A thoughtful
consideration of tile making, both past and present, is included as a major
point of reference in discussing the degradation associated with the
different manufacturing techniques from the different time periods including
how to arrest and repair the damage. A rich array of tile topics is
discussed, among them Delftware and nineteenth century tiles.
The text continues with a meticulous, instructional narrative of methods of
conservation: surveys, cleaning, the removal of salts and paint, dealing
with mortars and grouts, and the continued care of historically important
materials. The author also covers tools, useful products and health safety
issues. There is a fine index and appendix of sources as well as a
bibliography and reference section.
The book is a reference resource for the conservation and restoration of
tiles, an important tool for anyone engaged in the care and keeping of
historic tiles in situ or for someone who may wish to remove tiles and care
for them responsibly. There are many black and white images of tiles showing
different types of damage as well as many before and after conservation
pictures. There are few images showing the process of removing installed
tiles. The book is designed to be read and referred to; it is not a
hands-on, step-by-step, illustrated manual of restoration and conservation
processes (something we can look forward to in the future!). The text is in
British English but is readily translatable to the American vernacular. All
in all, I believe it to be a well-researched, useful publication for a
select audience.
Sheila A. Menzies, director
Tile Heritage Foundation
The Magic of Clay by Adalucia Quan.
This is a delightful introduction to working with clay. It is geared to
children but readers of all ages will be drawn in to the magic of clay. The
author, who is both a clay artist and an illustrator, illustrates it.
Adalucia has five other bilingual (Spanish /English) children's titles to
her credit. The Magic of Clay is not only a teaching tool that will be
welcomed by clay artists and educators but it will inspire its readers to
want to work with clay. The illustrations are colorful, instructive and
amusing and make complex concepts interesting and easy to understand.
Hardbound $18.95 (A). Available from the Tile Heritage Foundation. Add 7.5%
sales tax if ordered in California and $3 to cover shipping/handling. The
book is in stock.
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